Tuscany, here we come!

Two weeks of touring and painting in Tuscany for me and my friend, Carol Pike-Webb starting Thursday, Sept. 1st!  This tour, organized by a neo-impressionist Margaret Egli-Thomson, will be 5 or 6 days of painting the beautiful landscapes around San Gimigniano (Siena) Italy, and another 6 days of touring the neighboring cities including Florence.  The Agriturismo (hotel) where we will stay is www.podereilpino.it.
I somehow managed to pack extremely light so I hope I have enough clothes and paint.  Well, the upside is that I have room for my laptop (Big Bertha).

Camden, Maine

I had a week of painting in Maine and rented a house with two friends, Lynn Murray and Karen Berger.  You can't go to Maine for a week without having some rain, so we had the first few days to travel around looking at museums and galleries.  I visited Portland Art Museum on my up and had the luck to get there just as a seminar was starting about artists who populated the area called Sequinland: Maine Moderns, Art in Sequinland, 1900-1940, which was given by Libby Bischof, a docent who made it a very interesting visit.  The John Marin show, Modernism at Midcentury, was very extensive and very well presented.  Karen and I took in the Farnsworth and the video presentation about Andrew Wyeth.  It was produced and directed by the family and was a joy to see.  There was good footage of their home movies and plenty of information given by Andrew who was narrating the video.  I am a big fan of NC Wyeth.  Of course, it's always a special event to visit the Dowling Walsh Gallery across the street from the Farnsworth and this time was no exception.  Large paintings by Alexandra Tyng were featured and her paintings are breathtaking.  Another gallery stop was the Haynes in Thomaston and the paintings of Peter Poskas and Burt Silverman.  Lynn and I toured the area and saw the belted Galloways (cows) and many beautiful vistas.  Karen and I drove all the way to Arcadia, it's what you do on rainy days when you can't paint outdoors.  There were a couple of galleries in Camden that provided some excitement and motivation as well--Bayview Gallery and Camden Falls Gallery of Camden, Maine. 
We did paint for a few days, nothing like Maine for painting rocks!  As usual, I took hundreds of photos.

Ivan Kamalic, 67, artist

It was only a year ago, several of us spent a few days at Star Island painting en plein air.  Ivan passed away June 6th of complications of lung cancer.  I enjoyed getting to know him.  He was a very hard worker and hiked all over the place looking for inspiration then he worked for hours in that spot.  A true professional, he enjoyed chatting with passers-bye, and told me about Jewel extra long brushes, which I subsequently purchased and agree with him that they have a nice "snap" at the end of the stroke. At Star Island everyone eats in a communal fashion and we all shared stories, it was a very nice time.  What a nice guy, he was happy and seemed very healthy as well.  I'm so sorry that he left us so young.

David's rainy day workshop

I had a wonderful time despite the fact that it rained most of the time.  The first morning we went out to Bass Rocks Point and what a great spot for rocks!  A person could paint there exclusively and never be uninspired by rocks.  The second day we painted in the mist at the Greenbelt in Essex in the morning.  Unfortunately, we had to retreat to the Rockport Art Association studios when it was raining.  David kept us on our toes with exercises and helpful comments and critiques and stories of artists and art in general.  The three days went by rather quickly somehow even with the rain.  I came home with more tools to use in my arsenal of painting ammunition--just in time for the 4th of July!  Let's hope I can get a big bang out of some of it.

David P. Curtis Workshop, June 22-24

I'll be painting rocks with David over the next three days in the Rockport, MA area.  "Rocks are Hard" is the name of the course.  The forecast is for rain.  Let's hope they are wrong.  Today I'm cleaning brushes that I received from my friend, Judy Rehill, from Florida.  A dear friend, Frank Miles, died last week, and some of these brushes were Frank's.  I hope his brushes bring me luck.

Colin Page Workshop - June 11-12

The first thing that Colin said was about how we had to work outside of our comfort zone, and it might not feel very good.  Well, I was happy to hear that since I felt to "down" after the previous workshop with Frank.  Colin had taken a workshop and had that experience afterwards, so now I didn't feel bad anymore.  He did a great presentation about values and massing and did a quick demo, then we all tried that lesson.  Then after lunch the rain came and it rained for the duration of the workshop.  We moved in doors and it might have even been better to learn the lessons that Colin taught which were many.  He had us doing lots of 1/2 hour studies and, for me, it was a lot less stressful and less tiring and it kept my mind alert as well.  I highly recommend his workshops.

Class at River Arts,  Damariscotta, Me.

Typical scene that Colin likes to paint.

Frank Gardner Workshop, June 6-8

Thanks to Suzanne Hoffman who found this cottage in Wellfleet, we had accommodations which had a beautiful view of the water and a great area to walk around in my spare time.
On Sunday night we met at Paul Schulenberg's studio, Frank's friend, and had snacks and saw some great work of Paul's.

For the first two mornings Frank did a demo of things we were to concentrate on. 

We painted two paintings per day for the three days I was there.  It was very hot and sunny.  The scenery was beautiful.  Jerome Greene, Frank's assistant, did a wonderful painting of me on Wednesday afternoon in a public garden in PTown.  My email has been down and I've been trying to contact him since.  I was pretty disappointed in my work during the workshop and wasn't anxious to go to Maine on Friday to take another one with Colin Page.  What happens is that it takes a while to sift through the ideas and techniques of the teacher and make them your own.

Upcoming Adventures

I've been cleaning up my studio and sorting things out getting ready for the workshop season it seems.  First on my list is one down the cape, Wellfleet area, Cape Cod, with Frank Gardner, who initially excited me with his mudhead series but is not strictly an impressionist or colorist, anyway, it will be fun to work with him and be at the tip of the cape.  Second is immediately following Frank's, and is up in Damariscotta, ME with Colin Page.  I love Colin's light effect and palette.  Third, is David Curtis, a traditional New England, Rockport/Gloucester artist.  I agree with him that "rocks are hard"--it's a workshop on painting rocks.  To round out my summer excursions, a couple of painter friends and I will rent a house in Rockland, ME and paint for a week.  The Italy trip in September will round out my painting adventures for this year.  I'm going to Tuscany for 2 weeks with Margaret Elgi-Thomson and her group.  I traveled with her last year and it was a 6-Star experience! on a scale of 5.  I'll be posting painting pictures soon, I hope.  I've been gardening a lot lately, tis the season.

Sunset Mountain Road

Sunset Mountain Road $50

This 6"x6" original oil painting of a German mountain road at sunset (or is that the giant cookie monster?) was painted as an entry into Carol Maine's Challenge on Daily Paintworks.  I wanted to experiment with an analogous color scheme because I used a triadic color scheme on my previous landscape.  It's an interesting way to portray the colors and values with a limited palette.  I think it was successful, do you?

Alpine Road

Alpine Road 6"x8" $50 Original Oil

Daily Paintworks Challenge  This is the painting for Daily Paintworks German Landscape Challenge.  I used high intensity colors and both brush and knife and used the triadic color scheme of orange, green and purple.  This small painting is packed with details and available through my blog with Paypal if you are interested--just send me an email.  Let me know your comments.

Love You Rose

Sorry, I can't fix it yet.

This painting was created for the Daily Paintworks challenges.  It was submitted to the Help Japan Challenge which will run for a week starting today and ending Monday, April 11th.  It is also listed under the 'A Valentine's Day Rose Challenge' and will remain there after April 11th.  For me the challenge was to try to stay somewhat loose and still have a realistic image of the rose on the very dark background.  I don't use black but like a crisp colorful dark made with dark transparent colors. 
Until I can download a photo to this blog (blogger is acting up today) you can see it on the challenge page referred to above.  It is 6"x8" original oil on canvas mounted on gatorboard.

The Help Japan Challenge site is easy to navigate and I do take Paypal by my email address.  I hope you like my work and if you would like to receive updates in your email inbox, there is a simple to use box here in the upper right corner of my blog.  I always want to hear from you with any questions or comments.  Thank you for viewing.

Help Japan

New England Marsh Impression
12"x12"
Daily Paintworks Challenge-Help Japan

This is my entry into the Help Japan Auction on Daily Paintworks.  There are hundreds of artworks available,  and it's a wonderful opportunity to help Japan and get an original fine art painting in the process.  All proceeds will be donated by the artists whose work you can see on this web site.  It is an auction but the rules are very fair so people can't outbid you at the last minute.

Visit the Whistler House Museum of Art

Yesterday, Lynn Murray and I visited the Whistler in Lowell.  We were both surprised at how much better it was than we imagined.  We were fortunate to have Michael Lally, the executive director, act as our docent--it made our visit 10 times better. This happened because it was transition day, the previous docent was leaving and a new one was starting.  The house itself is a very important historic property, with a newly installed garden and park thanks to the Demoulas family, and Whistler's father was a truly amazing man, worthy of a book of his own.
We went to the Worthen Tavern afterwards, open since the 1800s, and had an excellent hamburger with a visit from the cook.
Lynn and I planned a list of museums to visit over the upcoming months.  I had been thinking about attending the Rockport Art Association's reception tonight, and Lynn sealed the deal when she said that David Curtis would be doing a demo relative to his upcoming workshop at Rockport where the old fashioned method of copying masters' work at a museum will be the theme and he will do a demo.  At this time of year Rockport brings out it's masterpieces so the class will be able to copy works hanging in the gallery.  What a great opportunity, I'm sorry I can't make it.

Entry for the one stroke challenge

3 Bowls Full

5.5"x4.5" original oil on masonite $50

I painted and entered a painting today for the Daily Paintworks Challenge, this time for the One Stroke Challenge.  I set up three colorful bowls, orange, lime green and purple on lime green fabric.  I kept the brush strokes to a minimum and was happy with the result.  I used a polka dot fabric but left the white dots out.  It would have been too busy.  I'm going to try to use more and thicker paint and have visible brush strokes like Carol's  Carol Marine. 

You can see this challenge here:  One Color Per Stroke Challenge along with a sample of Carol's technique.
I also signed up for PayPal so you can email me for purchasing information.

Color of White, Paintworks Challenge

6"x8" original oil on canvas 

White cup on floral gackground

6"x6" original oil on canvas

White cup on floral background

This challenge to paint something white on a colored background using only primary and secondary colors was lots of fun to paint.  First I did the larger one making the bright colors of the background the primary idea, then I wanted to make the cup the primary target and also paint a smaller painting.  Which one do you like? 

10-Minute Challenge - Apples

I love these challenges, and this is my first time participating in the DailyPaintworks challenges.  It was done in two days, 4 one day and 4 the next.  Each square is 3"x3".  It was a challenge to keep the paint clean so I had to change brushes a lot--no time to clean in-between.  What a challenge it was not to fiddle or go back and smooth something out.  I went out afterwards and bought spray paint because I wanted to do an endless supply of apples of all colors on different grounds.  Then, the other challenges started to spike my imagination.  I went out and purchased lots of cloth to use in my still life setups.  Now I need to plan my day to be sure to paint in the mornings before other things require my attention.  I didn't do this challenge to sell it so much as to go through the process.  I used to do 30-minute paintings each day as a warm-up exercise.  I would be interested in any comments, please.  I hope that the photo at least came out OK.

Colin Page Art Weekend, Camden, Maine

I traveled to hear Colin Page do an art talk at the Public Library in Camden on Saturday.  It was a very well attended event and his talk gave me a couple of insights into my work that I'm going to try which require a more limited palette and smaller range of values.  I found a very nice hotel for only $55 with a high view to the sea and a "must try" eatery in Rockland http://www.homekitchencafe.com.  Most places are closed for the season or gone as far as art and galleries are concerned.  I enjoyed the paintings at the James Fitzgerald show at the Farnsworth and bought a biography of W.C.Wyeth (one of my favorite artists/illustrators) in the gift shop.  I discovered a new (to me) part of Rockport and the marvelous CMCA (Contemporary Art Museum).  Unfortunately it was closed for renovations but I'll definately see it in June when I return to take a workshop with Colin.  I walked all over Rockland Sunday morning and took pictures until my card was full.

Honorable Mention at Rockport Art Association

My photograph won honorable mention in the current Contributors Show at Rockport Art Association.  It looks like an abstract artpiece.  In music it would be called a medley; this is a photo medley of memories.  You can see inside the store, the things in the store window, little lights, the reflections of cars, buildings, palm trees, balloons, and people.  Lots of colors and a nice composition with good balance probably holds some appeal along with the title, "Life Has It's Moments".  I hope you like it--let me know.  The show runs until March 20th.  Go to http://www.rockportartassn.org/ for hours.

I'm back..........

My adventures (not painting) in Europe can be read on this blog:  http://www.george-go80.blogspot.com/.
I spent January in Florida and attended many terrific art events.  Everything in Florida was perfect except for totaling our car and thankfully I didn't get hurt.  I visited with friends, walked many miles on beaches, stayed at a great place and met many new friends.
It was very nice to escape the Northeast winter for the month, but it's still snowing--6 more inches today!  Anyway, this week I've been re-reading the book, "Oil Painting Techniques and Materials" by Harold Speed, and I'm possibly enjoying it more this time than last time. 
I'm inspired anew by Carol Marine's new challenge 
http://www.dailypaintworks.com/Challenges (somewhat like the one Karen Juric did) and should be posting some paintings there (and here) soon.

Dropped off the planet?

No, not yet anyway--I'll be very busy until February with traveling and enjoying the Naples, FL art scene. 

OMG--Amazing trip to Italy

I've been home a week and still can't settle down from the most amazing trip ever!  I took 1527 photos and painted 6 paintings, toured 3 major cities, 2 castles, 1 lunch at the count's country house, 1 winery tour and lunch with the owner, visited a famous artist at his studio and he took us for drinks and snacks at his local bar at 11 in the morning, visited a cashmere factory and a cheese factory, farewell dinner where a famous soprano sang to us, ate tons of gourmet food (all fresh-no additives) drank bottles of wine (no sulfates) and only gained 6 lbs, made 25 new friends, walked many wonderful miles including my daily morning walks through a quaint hill town nearby.  We toured where tourists usually don't go and we had an interpreter with us most of the time.

I only just now looked at my photos, so many people, windows, arches, ancient buildings, hill towns, rows of wine vines and hillsides, people on scooters and bikes. 

I painted on 11x14 linen canvas that I taped to a balsam board and rolled up in a tube to bring them home.  I brought 24 lbs in art supplies (including the pack) and had no problems with baggage.  The heaviest things are the pochade box and tripod, and tubes of paint, but it all adds up.

Italy - Here I come!

I'll be on my first European painting trip, leaving Sept. 16th.!

I'm up to my eyebrows getting ready--trying to stay within the weight limit for baggage is very tricky.  I've had lots of help from online friends and now all I have to do is get there and PAINT.  We are a group of about 25, including the instructor, Peggy Egli of Florida.  There will be tours and cooking demonstrations and gormet food in this 450 yr renovated farm house. 

I hope I'll have lots of good stories to tell when I return AND lots of paintings.

Isle of Shoals - Star Island Retreat - Cape Ann Artists

Eight of us spent three days on Star Island painting and having a good time.  The summer's heat continued as the hurricane was approaching.  The storm fizzled but we witnessed some boarding-up of the windows and some evacuation of the people on island.  We suffered through the "rules" and each had one (1) hot shower!  It's a beautiful place and very primitive and restful.  Star Island, Isle of Shoals

Don Mosher, Alan Wallack, Ivan Kamalic, Bonnie Sylvester, Jude Abbe, Karen Berger, Lynn Murray and I completed a number of paintings, slept well, got a lot of sun, and ate together at the old hotel.  We shared ideas and I had a wonderful time.  I learned about extra-long handled (although not as long as the European version) plein-air brushes from Ivan and have ordered some to try out on my next painting adventure.

I took close to 300 photos and some of them are gorgeous!  I'll have many that should motivate me to paint a few more studies and sketches and hopefully come up with a few good paintings--maybe even a series.  I prefer painting scenes with less blue so perhaps water scenes are not my thing.

What's new?

I've been gearing up to paint a lot for the next few months.  I set up my studio with better still life lighting and stand.  Also I set up a station for photographing work to post as jpgs.  It was probably in the 90s up there while I was doing it.  I painted this setup for an Italian Festival that I decided not to enter after all.

I've also painted at Thacher Island and almost finished the two keeper's houses.  I was trying for something (Jeff) Weaver-ish and still have some work to do.  The work of Jeff Weaver

And I have a lot of work in progress, things to frame and submit to shows, etc. so I'm happy to be busy painting again.

Rotenberg Birthday 105 yrs old

American Impressionist Harold Rotenberg

Last night at Rockport Art Association I attended a truly history-making event--the birthday party for Harold Rotenberg.  It's hard to imagine what a wonderfully charmed life he led from the industrial age through the technological age, and through many variations of painting styles, he choose Impressionist Painting as his calling.  His family and the Rockport Art Association held a marvelous event, crammed with well-wishers, tons of his paintings are on display, and he was there in all his glory.  He signed my book; he is still full of energy and no one would guess his age, he looks 25 yrs younger.

The Huangs meet Richard Schmid and Nancy Guzik

The Huangs meet Richard and Nancy

I read today about Qiang knocking on the door of the master, Richard Schmid.  I am so excited for him and can't wait to see how his art is influenced by this new association.  The Huangs are such wonderful and kind people, and their son, Jonathan is a great kid who is touring colleges while they are here in the Northeast.

Qiang Huang workshop

I worked on two paintings during the wonderful workshop with Qiang Huang (Chong Wong).  They were really practice sketches of his method.  The first day I didn't quite get it, but I think that I did better on this one done the second and third day.  I started to show signs of promise as far as working with his method is concerned.

Day Three - Qiang Huang

The schedule for the third day was a smaller (a daily painting sized) painting demo--this time the subject was glass objects.  After the demo we all returned to our easels to either work further on the practice painting of the previous day's setup or work on a smaller sketch to practice the glass idea.  As I woke up in the morning feeling more clear-headed about this technique, I worked on the previous painting and felt quite a bit better with those results. 
After lunch I participated in a business of marketing workshop that was very well presented and explained and Q&A on that subject ensued.  I learned a lot even though I already have a good foundation in that regard.  I would very highly recommend Qiang's workshop to anyone.
During the painting of the demo, there was a little worm in the orange that was a hit with the crowd as he kept sticking his head up like a periscope and looking around.  It was noticeable as he was in the spotlight and silhouetted against the dark background!
At the end I purchased the demo of the flower painting and will post it here when I unpack the camera.  It will be a constant reminder of my wonderful workshop with Qiang and his instruction.  I say instruction because there are many demos where the painter doesn't explain much; with Qiang this is not the case.  He is patient and as generous as possible with his knowledge and technique, and I understood and will incorporate many of his methods.  Many of which I have heard before, but it just didn't stick in my head until now!

Day Two - Qiang Huang

Following another excellent Powerpoint instructional presentation, Chong (pronounciation for Qiang) demonstrated painting flowers.  It was mesmerizing to watch his decision-making process and careful placement of strokes of color that were only placed after mixing the perfect clean color with the correct size brush.  After lunch everyone's set-up included flowers to practice his method.  Since I haven't painted still-life for a while, it was probably easier for me to experiment with his style, but I felt that I failed in the end.  I noticed that most people, although they probably tried, didn't paint anything like the careful stroke put-it-down-and-leave-it-alone method either.

Day One - Qiang Huang workshop

I loved him before, but seeing his work in person is tooooo much!  He brought three paintings along to show his larger format work.  I asked if they were for sale and he said yes, and I asked him to put prices on them, next thing I knew, the one I liked was already sold!  Bummer.  What a way to start the day!
His Powerpoint presentation was excellent then he did a demo which was very informative.  My luck changed as I had the best seat in the house.
Afterwards we set up still-life's all around the room with probably two people per setup. His way of using lighting is great, the best yet, and he came around and helped everyone.  I was using his palette of colors and trying to "get" his technique.  It was a great day.
I did need a drink after and the place across from my hotel was having $5 martinis so I tried a coffee one:  vodka, expresso, coffee liquor.  It was like an iced coffee, but better!
Now I'll go over my notes and look forward to tomorrow.  All the people in the workshop are very good painters and I haven't done still life painting in a long time--it was a little frustrating but a lot of fun.

Upcoming Workshop--Qiang Huang

I'm getting excited because next weekend I'll be working with Qiang Huang  (pronounced Chong Wong) in Waterbury, CT next door to Newport RI.  He is an amazing painter.

I've been working in my garden all during the month of May and haven't been painting much.  I did participate in the auction for The Brain Aneurysm Foundation on Sunday, April 25, 2010 at the Omni Parker House in downtown Boston where two of my paintings sold.

Santa Fe Trip

Lynn Murray, pictured here, and I just returned from three glorious days of gallery hopping in Santa Fe.  It was an amazing trip--we must have seen 1,000 paintings and about 100 galleries.


We each have a list of probably 50 artists we want to research on the web.  Because it was slow season (it snowed two days and we didn't dress for cold weather) gallery owners spent time with us talking about their artists.  We left no stone unturned--saw all the art sections of the city.  It was in the 70s-80s here in the Boston area, and out there it was cold and snowed two days.  Lynn is the perfect traveling companion, we both had a great time and are now anxious to get back to the easel with renewed inspiration.  We have lots of magazines, articles and books to read as well.

Trouble on the Rocks

I've been working on this painting for the A Painting A Month Club blog, http://www.apaintingamonthclub.blogspot.com/, and have wiped out the center area of these rocks at least 10 times!  I had occasion to drive to Rockport yesterday and carefully observed those rocks and will give it another try.  Since I'm leaving soon for a trip to Santa Fe, I may not have it finished be the end of the month.  Two other members of the club have already submitted and have done a remarkable job of painting this painting, be sure to check out the April results early in May.

March Painting of the Month

Country Road-Original Oil-8x10"

I finished this painting today to participate in the "A Painting of the Month Club" March challenge.  It was indeed a challenge because of all the various greens which in the photo were very close together and very much the same.  I decided to try a more impressionistic approach in order to push the color.  I like the way it came out.  I can't wait to see everyone else's approach.  Go to the 'A Painting A Month Club' blog to see everyone else's paintings for March 2010.

Rockport Show

Marsh at Cox, original oil, 18x24"

This painting is currently on view at the Contributors' Show at the Rockport Art Association in Rockport, Massachusetts from March 14th to April 25th.

Is it finished now?

Spring on the Marsh-16x20"-comments please.

I have worked on this painting for close to a year, painting many variations of the colors of the marsh itself.  After a critique from Donald Jurney, I repainted it one more time, and I'm happier with the foreground.  If you look down a few blog posts, you will see the version before his critique.  He commented that it was falling off the bottom.  I didn't see it immediately and when I put it up on my easel, the easel was not level at first and was tilted to the right.  This accentuated the angles and, viola, I saw what he meant.  I think if you compare the two versions, you will agree that this one is much better.  I was going to repaint it anyway to lighten up the colors of the marsh so I was able to kill two birds with one stone.

Expressionist Marsh

Oil on canvas, 12x12", send comments.

This painting was started and mostly completed on site as the tide water was coming in fast and flooding the nearby grassy area just below me.  Lots of paint and strong bright colors that vibrate signal the late day just before sunset.

More commission work

Millie's Ducks, Oil on canvas, 12x24"

A dear friend, Millie Lang, made these ceramic ducks and I made the stained glass.  This was a windowsill arrangement in the kitchen.  Millies kitchen colors are black (lamp, a gift from John Tirone) and red, (old bottles from an excavation) and she loves flowers as well.  I'll frame it in natural wood to match her cabinets.  I hope she likes it.  It's an unusual composition where I pushed a few rules.  You can see my changes in composition during the painting process at www.marypychefineart.com/newwork.html.

Bandit's ready to travel.

Oil on canvas, 12x12"

I've been painting a lot every day for the past few days and have finished 4 paintings that have been in the works for a while now.  It feels good to start to get caught up.  Mostly my frustration is with locating some photos on my computer that I really want to get to.  It was easier before I had two computers and lots of thumb drives.

Bark worse than Bite?

How's this for a change of pace?  Meet Bandit.  He's my sister's dog. He's still in progress. At this point, I'm working from the top down.  He should be ready in a few more sessions.  I have a few more commission-type paintings to complete in the near future, then I'll get back to my usual routine.  Bandit is 12x12" and I think the square worked out well for this composition.

I went Thursday night to the Rockport Reception to start this new season, and it was wonderful to see their collection of paintings by some of their famous painters from years gone by.  Tonight I'm going to a demo and critique at Newburyport Art Association by nationally well-known artist Donald Jurney.  I'm wondering what to bring to have critiqued.  I'm thinking of bringing a large landscape of the Great Marsh in Spring (last year, shown below) which needs some help with the color of the marsh.  I'll let you know what he says.

For those of you who are painting for the A Painting A Month Club Challenge, there's about 10 days left!  See information about joining or to see this month's photo!

Thank you for viewing my work and let me know your comments.

Happy Valentine's Day

On this Valentine's Day, I wish you lots of LOVE from all those people you love too.

 Circle of Friends 11x14" oil, Boquet for Mom 9x12" oil, contact Mary
I finished my January flower painting and also the next one for February!  I really like the rhythmic brush strokes or the rhythm of the arm that is more evident somehow when painting flowers.  These paintings were done for the A Painting A Month Club, a blog I started a few months ago for landscape painters in our area of New England.  I'd love to have more members join, so if you or anyone you know in northeastern Massachusetts or southern New Hampshire wants to join, just go to this site to join:  http://www.apaintingamonthclub.blogspot.com/.  Write me at mpyche@comcast.net if you have any other questions.

Why flowers?  Well, since I paint in the studio during the winter, winter feels better to me when flowers are in sight.  So I thought, why not paint flowers?

I had a great vacation.

This is my unfinished painting for the A Painting A Month Club January Challenge!  I'll work on it later today and I feel awful that I didn't get it done last month. 

While in FL I went to three giant art shows, two great demos:  John Salminen at Ft. Myers Beach and Greg Biolchini. at No. Ft. Myers.  Greg has the most awesome studio ever--it's a whole house on a bay with a huge banyon tree in the back yard by the enormous deck.  I read at least a dozen books and mags on art and only painted outdoors once.  We were rained out or it was very windy the other plein air days.  I'm a member of the Visual Arts Center of Charlotte County where I took a web software course.  I also took another computer course at Port Charlotte Cultural Center--a fantastic place to see if you are ever nearby. 

I took some photos of the farmer's market to paint veggie paintings and bought some wonderful objects at the Goodwill Center to do still lifes.  George and I went to two shows, Liberace and A Chorus Line.  We drove 1500 miles while we were there. 

Almost Homeward Bound

Sadly, after almost 26 very happy days in Florida, I'm preparing to head back up north.  I've painted a little, most of the plein air events were too windy or cold, so I worked indoors.  I love this area (southwest Florida) for all the art events, festivals, demonstrations, art centers, galleries, etc. that are happening every day.  The art centers have libraries chock-full of books, videos, etc.  I read a lot and probably averaged a book a day.  I was lucky to see the Bonita Bay Promenade Art Festival, two great demos, and a few art walks while I was here.  I took two computer courses and have learned the web software, Web Plus, and can now convert or redo my web sites and the others I created using HTML. 

I haven't been in touch with skating and painting friends as much as usual because my home computer has all my addresses, but I'm looking forward to seeing everyone again and receiving the Paintings of the Month club paintings and posting them to that blog:  http://www.apaintingamonthclub.blogspot.com/

Sunny Florida isn't---

It isn't warm either.  I'm on vacation and it doesn't feel like a vacation.  That may change today as the weathermen are saying the bad weather is behind us. 

I'm working on my 'A Painting A Month Club' painting and finding that I rather like painting flowers.  I like the fluid movements I can make with the brush.  I'm also listening to beautiful piano music, and it's all-in-all a very meditative and pleasant experience.

People at the Museum

This is my submission to the A Painting A Month Club blog.  There are two paintings 6x9" oil.  I thought that having a companion piece to the original one (Two Guys) would be a good idea, but I'm not so sure now as the second one is perhaps a little too different.  What do you think?

Go to APaintingAMonthClub.blogspot.com to view various artists' takes on this photo for December's challenge.  Thanks for looking. 

Collection - Lois Griffel

New to my collection of art is this lovely impressionist garden painting by Lois Griffel.  I was able to watch her paint part of this work during a break in the Manchester-by-the-Sea workshop a few months ago.  It is a 9x12" oil on board.  I particularly like the design and the ala prima freshness.

Beachwalkers

Beachwalkers

Today, here in New England, it's even hard to think about these beachwalkers since it's supposed to be the first snow of the season this afternoon.  I completed this painting about a week ago and I especially like the contemporary look of these two young adults doing what people do on their winter vacation.  This oil painting is 11x14" on board.  The three people walking on the wharf between the heads of the couple are my friends Harold and Evelyn Harriman and Judy Rehill.  The composition is a compilation of various photos I took that day.